The other Cousin Creep as featured in Issue 57 of Patsy & Heady. The story titled 'Cousin Creep' is about a visiting Harvard educated Jazz music snob named Bob, that annoys his Cousin Janie.
In 2007, I bought two red vinyl 78 speed 12 inch records at a Bakersfield, CA yard sale for 25 cents a piece. Unbeknown to me, they contained historical material from Adlai E. Stevenson's 1952 Democratic Presidential campaign bid. They are now housed at the Smithsonian.
Once Upon a Time, I found one of the worst records ever made, it was 'Little Brother' by Rod Harris. A record so bad and obscure not even Dr. Demento knew of it's existence. After his 1st listen Demento agreed, and called it "A classic "bad record.", one of the worst ever".
This was Super 8 Footage I made in 2003, in Brunswick, Australia on the Upfield Railway - I later posted it on You Tube to the track 'Beams' by TAPE from their LP 'Luminarium' issued on Häpna Records.
In 1964 Californian actor George Murphy was elected to the United States Senate. As part of the campaign, a promotional vinyl LP was issued with endorsements for Murphy from prominent citizens. One of these endorsements was from fellow actor Ronald Reagan. This release is now housed at the Ronald Reagan Library.
Interview with Neil Hamburger during 'Paint The Clear Gloss' on Radio 3RRR recorded on March 18, 1998. This also included the debut of 'Zipper Shtick 97', which was later issued as 'Neil Hamburger Pays Tribute to Diana, Princess of Wales' 7" on Planet Pimp Records'.
Adlai E. Stevenson & The Smithsonian
Bakersfield, CA: I received word that a certain guy had acquired the complete stock from a Bakersfield record store that had closed over a decade ago. After he had removed the most valuable items in the stock, he planed to offer the remainder during his yard sale. While rummaging through the material, I discovered two unusual 12 inch vinyl discs on red vinyl in a plain brown sleeve. Being a fan of spoken word/oddities/radio transcripts, I snapped them up for a quarter each.
When I returned home, I Googled Adlai E. Stevenson, I was surprised to learn the records were part of Stevenson's 1952 Democratic Presidential Campaign. I now realized these records were more of historical merit, then of monetary value. The 1952 Presidential Election proved to be a 'game changer' in how candidates were presented. Eisenhower's campaign managers went to a Madison Avenue ad agency, the result was 'I Like Ike', a zeitgeist that allowed a war hero with no political experience, to trump Adlai an experienced politician at his own game.
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In 2007, I contributed both Adlai records to The 365 Day Project, exactly one year from the date of the 2008 election. The following year, NPR's 'All Things Considered' requested a audio copy for a segment about Stevenson's Presidential bid, and his reluctance in utilizing the available media at the time. However, I was still curious in knowing the historical value the record, so in 2009 I inquired with the Smithsonian Institution if they would be interested in allowing me to donate the items. Dr. William L. Bird, Curator of the Smithsonian Division of Politics & Reform enthusiastically agreed.
"Your 1952 Stevenson campaign spots and songs are certainly rare, if not unknown. There is a filmed-for-TV jingle that I have seen featuring the song “I Love the Gov” but I haven’t been able to access it to compare the arrangement with your radio spot, perhaps the same singer, etc. It makes sense that the Democratic Women’s Committee (Hollywood) would have tried to maximize its effect by putting jingles together for television and radio.
Candidate Stevenson had no understanding of television, and little of radio. The idea that speeches would be reduced to spots, much less that a campaign would capitalize upon music and popular taste was not available to him. In those days, presidential campaigns were often bombarded from the outside by groups organized to help in any way that they thought they could, with the candidate’s inner circle responding on an ad hoc basis.
So none of this voluntary, self-produced media came from command central, the way a campaign would run, top-down, today."
Dr. William L. Bird
2009
It's worth noting, that it was customary for radio stations after airing their radio spots to either return the production copies to the clients, or dispose/trash them. How these items avoided the date with land-fill, ending up in a Bakersfield Yard-Sale, and are now being housed at the Smithsonian is beyond me.